BBC Three – Breaking Out of Bradford

The interesting thing about commissioning programs for BBC Three is how they’re “‘never afraid to try new things’ and will continue to innovate with breakthrough comedy, stand-out entertainment, brave documentary and intelligent factual formats.” (BBC Three, u.d.) They use real people and situations to tell really informative but also diverse stories in the documentary format. In this documentary, it focuses on a girl called Lelia, a 25 year old from Bradford who is training to be a barrister and go to law school on a scholarship.

lelia

The program mainly focuses on how she wants to achieve her goal of being a barrister in a mainly male dominant and sophisticated career. She also talks about how when she was younger, she would always be faced with sexism because she claims that ‘boys always got what they wanted’ and she has to strive even more into proving that she is going to be a good barrister. Not only that but the program focuses on part time job as a teacher, the audience see some actuality of her teaching the children and her approach is very straightforward, and to the point. She seems like a down to earth person in the program and I think the program aimed for her to be seen in a positive light as she is very humorous, and ambitious. The program also states some facts about law students and the acceptance rate, only half of the applicants get in.

bbc-threeeThe resolution at the end of the program was that she got accepted into The University of Leeds Law School but still needs funding for her degree which is a satisfying end for audiences watching the short documentary on BBC Three.

References

BBC – BBC Three – Commissioning. Bbc.co.uk. Retrieved 2 April 2017, from http://www.bbc.co.uk/commissioning/tv/articles/bbc-three

Breaking out in Bradford. BBC iPlayer. Retrieved 2 April 2017, from http://www.bbc.co.uk/iplayer/episode/p04xl24h/breaking-out-in-bradford

 

Serial Podcast

Serial the podcast is one of the most interesting podcasts to listen to because of how diverse and captivating it is. The podcast focuses on a season dedicated to telling a story of a murder with real people and real cases which inspire listeners to make a decision themselves on who did it and given the evidence provided in the show on why they had a motive to do it. According to Serial’s website it “has won several awards, including the Peabody, Edward R. Murrow, duPont-Columbia, Scripps Howard, and Silver Gavel Award for Media and the Arts. Serial, like This American Life, is produced in collaboration with WBEZ Chicago.” (Serial, n.d) Audiences are not only intrigued by the stories but how it is told is very informative making this factual program very enjoyable to listen to.

jf

As well as that, The Guardian published an article which described how much of an impact this podcast as had on it’s listeners and claimed that there are “five million detectives trying to figure out if Adnan is a psychopath.” (Ronson, 2014) As well as that “episode one arrived without much fanfare – just some promotion by its parent show, This American Life – but what happened next was dizzying. It immediately became the world’s most popular podcast – a sensation. It achieved 5m downloads on iTunes – faster than any podcast in history. (BBC Radio 4 Extra has just picked it up for broadcast too.)” (Ronson, 2014) In another article, they’ve claimed that “each episode of Serial now averages 2.2m listeners, a podcasting record and a particularly striking achievement given that an audience of 300,000 listeners would have been considered a success. In fact, Serial has now been downloaded more than 20m times. “The way it has evolved has surprised us at numerous turns,” says Emily Condon, one of the show’s producers.” (Gordon, 2014)

newsweek.jpgOne of the factors that make this podcast such a success is the fact that the voice over is not monotonous which is possibly the most crucial in captivating listeners because it is a podcast and there isn’t any visual effects only sound so for the presenting voice to have a clear accent helps to understand the story. Not only that but the characters are engaging because they’re telling their side of the story and the listeners are piecing it all together in their heads to make a conclusion. This would translate very nicely as a visual medium because it is such a strong podcast. Furthermore, “Serial has been praised for the rigour of its journalism, and its presentation of multiple perspectives on the murder. For Melanie Bunce, a lecturer in journalism at City University in London and a self-confessed Serial addict, this has reduced the ethical doubts around it. “I can understand that people feel [the show is] making a drama of real people’s lives,” she says. “But . . . it’s more important than just entertainment.” (Gordon, 2014)

References

About Serial. Serial. Retrieved 2 April 2017, from https://serialpodcast.org/about

Gordon, S. (2014). ‘Serial’: inside a podcast phenomenon. Ft.com. Retrieved 2 April 2017, from https://www.ft.com/content/aeb8d37c-7af1-11e4-8646-00144feabdc0

Ronson, J. (2014). Serial: The Syed family on their pain and the ‘five million detectives trying to work out if Adnan is a psychopath’. the Guardian. Retrieved 2 April 2017, from https://www.theguardian.com/tv-and-radio/2014/dec/07/serial-adnan-syed-family-podcast-interview